
This is one of my favorite costumes, simply
because my brother was so pleased with the final results. When I
told my brothers that I would make them costumes for the Renaissance
fair, the younger of the two decided that he did not want the typical
ren. garb, but wanted to go as Link instead. What followed were
weeks of looking at images of the "real" Link, looking at patterns, and
thinking about how to do this.
I felt that the most difficult thing was going to be the fabric; after
all, what kind of fabric do you get to drape like a cartoon?
Since we really were dealing with an illustration here, I decided
that we would not be able to stick with period correct fabrics.
We ended up getting a white poly/cotton knit for the body suit,
and a green crushed panne velvet for the tunic and hat.
I decided to make the body suit in two pieces, using a pattern for
sweat pants and a mock turtle neck. I began by drastically taking
in the pants pattern before cutting the fabric; the whole idea is that
the pants and shirt hug the body, so I first measured my brother and
then took an additional 1-2 inches off the pattern. I then sewed
the pants together as normal, including the elastic a the waist.
I did the shirt in the same way; it was a little easier because
the pattern was already designed to be tight fitting, but I still ended
up taking some width out of the sleeves. I did make one major
change to the pattern; I added a split to the front, which meant that I
also had to change my front facing. Link's undershirt is
supposed to be partially open in front and lace up. I ended up
getting rid of the facing that the pattern came with and I created my
own facing by
recutting the top portion of the front pattern piece to serve as the
facing for that piece; I cut it just long enough to come down to the
end of the front
opening, aproximately 7 inches from the neck. (Now that I think
about
it, this was actually a rather complicated process that I would not
recommend
for a new sewer. I have done necklines similar to this before, so
I
knew how the pieces should go together. If you have never
attatched facing to a split front neckline before, I recommend that you
get a pattern that will actually explain how to do it. It is a
similar process to regular facings except that you cut a slit in both
your fabric and your facing. While you are sewing around the
neckline to attatch the facing, you sew down one side of the slit and
up the other site to complete the circle. With this kind of neckline
you MUST grade your seam allownaces and clip your corners, or the final
neckline will not lay flat. You can then turn the facing to the
inside, press, tack, and voila!) After that, all I
had left to do was add the eyelets to the front opening of the shirt.

The tunic was a little more complicated (but, of course, I think that
any garment with a collar is more complicated). I think I ended
up
using a sports coat pattern in order to get the right kind of collar,
cutting the sleeves to just above my brother's elbow, and then sewing
the front closed below the collar. I also adjusted the length to
come down almost to his knees. (The tunic needed to be longer
than he really wanted it
to be because the belt would blouse it, shortening the final lenth.)
The final piece of the costume was the easiest and required no
pattern--the hat. The hat is simply a long isosolese triangle.
The base of the triangle is my brother's head circumfrence, and
the hight is how long he wanted it. (He wanted it hanging pretty much
down to his waist in back.) I then folded the triangle in half,
sewed the length closed and then hemmed the base. I also added a
little bit of elastic to the back of the hem in order to help keep the
hat on his head.
My brother purchased the belt, boots, and he was set to go, but did the
costume achieve it's purpose? Well, it wasn't really anything
close to a Renaissance costume, but at the fair we heard several people
remark
in hushed amazement, "Hey, it's Link!"
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