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9/3/2004 - Start
of project with the deadline only a week away. Here I go again!
*rolls eyes and sighs*
Okay, so I guess I should start out by saying that this dress already isn't going to end up exactly as I'd planned. I already knew that I wouldn't end up making this dress with the train, because that's just not practical, even though I really love it. Then, when I sat down with Mom and we actually estimated the fabric needed, I wasn't going to have enough of the fabric I really wanted to make it out of. So, it'll still be white, just not the fabric I really wanted. Thus is born the (not so) white Regency dress, because even though it really will be white, it's not what I originally had in mind and may very well still accomplish at some point in the future, just not with this particular pattern. Now, on to the project... I already have a shift and stays, fortunately. The stays were made in a workshop, and the chemise was the result of an attempt to begin a Regency ensemble a couple years ago. The only catch is that the stays need some adjusting. When I made them, I had not yet realized that my torso is shorter than the average person. (I'm 5'3", which I already knew was a bit on the short side, but most of my lack of height is in my upper half.) I, therefore, followed the pattern and ended up with a corset that shifts up anytime I sit because it extends so low. So, one of the first orders of business will be to change that. My plan for tonight is to start on a petticoat. (Sorry, I'm just really not into the so-sheer-I'm-indecent look. Sheer is okay as long as there are several layers of sheer.) I'm using La Mode Bagatelle's pattern for a bodiced petticoat, but without the heavy lining and boning. I was really hoping to find a very light weight cotton for this, but I'm going to have to settle for the typical muslin I always get for this stuff. (The chemise is made out of batiste that I got a really great deal on, but it is now twice the price at the store I got it at the first time. Hmmm...maybe I'll just splurge a little. The lighter weight fabric feels and drapes so much nicer than modern muslin.) Today, I used the overhead projector at work to enlarge the bodice pieces for the dress itself. Don't worry, I learned from my mistake with the Polonaise; I enlarged the pattern to its original size and then will make adjustments where they are needed. Anyway, if I decide to hold off on the petticoat until I can get my hands on some better fabric, then I'll be working on a mock-up of this bodice tonight. Who knows? Maybe I'll actually be able to get most of it done. |
The pattern I used for this project comes from this book.
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| 9/5/04 So, the petticoat is pretty much finished. Just needs a couple of drawstrings, hooks-and-eyes, hem, and ruffle. Okay, so maybe that's a lot more than I thought. I got started on a muslin of the dress bodice. I've actually put two together already and still don't have one that will work, but we've got some company over right now, so I had to put my cutting table away. I'd really like to get the dress cut out today, but I'm starting to wonder if I'll be able to get a working muslin done. I guess it will depend on how long we have company. |
| 9/10/04 Well, I actually got everything done on time, and I think I'm happy with the results. Of course, there are a few little things that I'm not quite pleased with, but that is usually the case. I had the same fitting issue I've had in the past: the muslin fits perfectly, but the finished bodice turns out a little too snug. (This fitting problem is usually reversed for corsets--the muslin will fit, but the finished corset somehow ends up just a little too big. Very frustrating.) What really threw me off on this project was that the only part of the bodice that needed adjusting was the back. It didn't make sense to me, so I was afraid to add too much. What I forgot to take into account was that the gathers in the skirt would add a little bulk to the waist, resulting in the back being yet again a little to snug. It's not too bad, and I think it still looks just fine, so I'm not going to complain too loudly. Now, let me describe how I constructed this, because there aren't a whole lot of directions with the pattern. I put together two separate bodices, one of the fashion fabric and one of the lining fabric. The original dress used a very fine linen for the lining, so to imitate that look on my budget, I used the leftover scraps of the batiste from my petticoat. Once the two bodices were assembled I stitched them right sides together along the front, neck, and waist edges, leaving only the armscyes open through which to turn it. I was concerned about the unfinished edge showing through the thin material, so I made two rows of stitches all the way around and then trimmed the seam very close; so far this seems to have worked perfectly. After pressing my bodice, I then attached the modified sleeves. (The original pattern has a puff sleeve with a false sleeve attached. The result is a rather droopy puff with a very elegant long sleeve attached. I decided to forgo the puff and just have that ultra long sleeve that I love.) Now, normally at this point I would trim the armcye seam and then fold the lining over the seam to finish it. Unfortunately, I had taken such a small seam allowance that I didn't think I'd be able to double fold the lining over the seam. Instead, I simply attached the lining by whip stitching over the seam to prevent any fraying. (This solution kind of detracts from that beautiful finished look on the inside of the garment, so if that's what you are going for, be sure to take a wider seam allowance, rather than my meager 1/2 inch.) For the back skirt, I folded the edge over and then stitched the skirt to the finished edge of the bodice. For the front skirt, I folded the waistband so the the edges were folded in and then the whole thing folded in half (like double fold bias tape, the this isn't cut on the bias). Now, if I'd had time, I would have hand stitched the waistband by hand so that no tip stitching was showing...but I didn't exactly have a whole lot of time for this. Instead, I top stitched the open edge of the waistband, sandwiching in the front skirt section as I went. (You may want to double check the length of the waistband; it needs to be long enough to wrap around back and then come back around front to tie.) Three edges of the bib front are finished with strips of self fabric. The bottom edge could probably be finished the same way or turned over to cover the unfinished edge. I decided just to serge the edge, as that edge is stitched to the waistband and wouldn't show through the fabric. I attached the bib to the top edge of waistband by hand. Rather than add closures (such as hooks-and-eyes), I decided just to pin everything, which worked perfectly and, from what I understand, is historically accurate. The final touch was to make the belt loops in back for the waistband to go through. I did this simply by creating thread loops. |
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4/15/05I'm still working on accessories for this cute little ensemble. The goal is to eventually have a new bonnet, a spencer, shoes, perhaps a parasol, and a shawl. For the shoes, I found these adorable little slippers that I think will work well. Then I noticed that Dharma carries some scarves that are quite long that might work well for the time period. So, it looks like both the shoes and the shawl will be taken care of rather quickly and for a very decent price. The bonnet will take a little bit more work. When I stop by Dharma this weekend, I'm planning on picking up some silk and dye that I could possibly use. I still have all those Regency bonnet patterns from the workshop I took at Costume College and would like to make another in a slightly different style using buckram and silk rather than the straw. For the spencer, I think I'll use the La Mode Bagatelle pattern and make it up in some leftover cotton velveteen I have. (It's the perfect project for the kind of remnants I keep--two or three yards--not enough for a whole outfit, but too much to just give away.) If I have the time, I'd like to do some embroidery on it as well; I was completely inspired when I saw something like this done on a garment in Vanity Fair. The parasol...well, I'm still thinking about this one, so I'll get back to you on it. |
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