Here is another costume that I am very proud of for several reasons: I
completed
it in just one weekend, and it turned out exactly as I was hoping.
I started on a Thursday afternoon, stopping at Joann on the way home
from work. I found this fantastic black polyester that looks and feels
exactly like wool. (There was absolutely no real wool to be found.) I
also picked up a lightweight white linen/rayon blend. (The only pure
linen they had
was the wrong color or embroidered.) Once I got home, I washed all my
fabric (including the duck cloth I used for my lining material) and
then began
on a mock up of the bodice. I adapted the bodice pattern from
Simplicity
8881, changing it to a front opening, cutting the back as one piece,
raising
both the front and back necklines, and changing the curve of the bottom
point to be rounder and more shallow. As usual, I cut out a much
smaller size than the one suggested by the pattern. (The key here
is to MEASURE. Also make sure that you take into account your
squish factor. I squish a lot so I can cut a pattern up to four
or five sizes smaller than recommended. Also, this pattern is
meant to overlap in back, but I wanted to lace it closed, which
eliminated another inch or so.) By the end of Thursday night, I
had cut out and assembled the mock up (which I would use as one of
the lining layers). Lucky for me, it fit perfectly on the very first
try,
with only a little bit of reshaping to do at the back neckline which I
had
raised a tad too much. (Remember that the mock up will not be exact; it
still
has seam allowances at the closure point, and there is no boning to
stabalize
it. What I look for in this initial fitting is for a good fit in
the
armscye and in the back neckline. I check the fit in the bust and
waist
by pulling the bodice closed at each of those points--if the two sides
overlap,
it is too big, and if the gap is two inches or more, it is too small.)

On Friday
night, I worked furiously on the bodice. I got all of my layers cut out (two
lining layers, and two fashion layers). I put together my lining and got the
boning channels sewn in, then based on a layer of fashion fabric. With right
sides together I sewed on my other layer of fashion fabric only to find that
I could not turn all of these layers through the shoulders. I ended up only
sewing closed the front and neck edges, leaving the armscyes open to make
turning possible. And that is as far as I got on Friday. Oh, I also got the
skirt and sleeves cut out as well as bias strips for the bottom edge of the
bodice and for the armscyes. For the sleeves, I used the pattern piece from
Simplicity 8881. For the skirt, I didn't use a pattern; I cut a waistband
on the grain of the fabric and then cut two lengths of fabric using my waist
to floor measurement (that was all the fabric I had, but it was enough because
the fabric was 60 inches wide giving me about 120 inches to pleat into the
waistband).
On Sunday afternoon, I started off by completing the side seams and
then
inserted the boning in the bodice and attached the bias strips to the
bottom
edge and the armscyes. At this point, I only had handsewing left on the
bodice, so I put it on hold and started on the skirt. The skirt went
together
rather quickly; I was even able to machine stitch the hem, since the
fabric
does not show the stitching--it just kind of gets lost in the
fuzziness. I sewed the sleeves, heming both the wrist and the armscye.
That done,
I moved on to the collar and bonnet. For the collar, I traced a
circular
pattern onto the fabric, cutting two layers and then sewing them
together
on the long sides. I flipped it right side out and then folded over the
two sides that formed the opening and stitched them shut, attaching
chords
for tying. I made the bonnet out of a simple rectangle, the long side
being
the measurement from my jawline on one side of my face over my head to
the
jawline on the other side of my face, and the short side being the
measurement
from the center back of my head to my forhead plus three inches to fold
back
(two layers sewn together on three sides and then flipped and pressed).
I turned over the unfinished edge to form a casing and inserted a
drawstring--this forms the back of the bonnet. I then folded back and
pressed the front edge of the bonnet and voila.

I then
turned my attention to the handstitching that needed to be done. I started
by finishing the bias strips on the bottom and armscye edges. I then attached
the sleeves to the armscye about three quarters of the way around with button-hole
thread, leaving the underarm open. (The picture to the right has been lightened
so that you can see the stitching. I tried to get a picture of the open
underarm, but it just didn't come out right.) I wanted to handsew eyelets
down the front, but with the number of layers I had in the bodice, I simply
did not have the patience or the skill. So I caved in and put in the silver
colored eyelets; I guess eventually I can stitch over the eyelets to cover
them up, but I didn't think of it at the time. It is actually a good thing
that I used the metal eyelets, because they have ended up having to take a
lot of pressure that I don't know my handsewn eyelets would be able to handle.
Eventually I might add white cuffs (I have enough fabric, but I didn't
really want to bother this time around), an apron (which I will need
more fabric for), and a different chemise (I am using my renaissance
chemise and it doesn't quite work the way I'd like it to).
Update: After having worn this outfit a couple of times,
I'm actually pretty pleased with the way my Ren. chemise looks; I just
have
to remember to pull it up a bit higher than I would wear it with my
other
costumes. I've also found that I like it well enough without the
white
cuffs, although I'd still like to make the apron sometime and maybe
even
learn to do a bit of cutwork embroidery for it. I have been a bit
frustrated
with my "quick" bonnet version; it does not fit my head properly and
actually
leaves a lot of my hair exposed in back; I'll need to do a little more
research
before I try that one again.
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